Two red dots!

For anyone who has followed this blog over the past few weeks, I think I made it pretty clear that I was very excited about the show “Thrice” put on by Larry Mills, Tanner Goldbeck, and Joe Shea at the AFS Gallery.  And the show was no disappointment. What was slightly disappointing was the less than expected turn out for the show. I expected the place to be packed with these artists’ many friends and fans. And while there was a steady crowd there, it was not the standing room only event I had hoped it would be. I talked to Holly Mackay at Art From Scrap yesterday when I went back to the show for a second look, and she explained that Fiesta kept some people away but that many people showed up late so they kept the show going for an extra hour. Apparently I  left just before many arrived. And the people that came brought their check books since there are now quite a few red dots next to works that had sold.

Part of J Shea's "Silent Night"

The work in the show was of the high quality that is usual for each of  the artists, but there were also some nice surprises that re-emphasized the importance of seeing the work in person. For instance, I had previously seen many of Larry Mills’ photographs on his website. However, for the show these photos were mounted on wood panels and cleverly sanded around the edges, rounding the corners of the wood and wearing away the edges of the photos, giving the photos a worn and weathered look that echoes the themes of many of his photos.

There were also many great works there from J. Shea. His iconic wood box framed sculptures continue to surprise me with their wit and depth of character as in the wonderful “King of Kings” , but I was most surprised to find that my favorite of all of his pieces was a painting entitled “Silent Night”. The painting allowed Shea to present his characters in a specific setting, suggesting a plot, and giving an additional narrative complexity.

Another great example of the importance of seeing works in person came in the form of Tanner Goldbeck’s “Citizen No. One – Pale Rider”. This image was another that I was familiar with from the internet, but that representation does no justice to the actual work itself.  There is some kind of magic that comes with brush strokes and oil paints that digital creations cannot reproduce, and this painting is full of it.  The paint amplifies the frenetic action that is typical of Tanner’s work, imbuing it with all-important gravitas.

Tanner in front of "Citizen No. One". Photo by Larry Mills.

There is a lot to enjoy in this show. If you were one of the people who missed the opening, it will be up until September 12th so you have another month to catch it. Head over to Art From Scrap and check it  out for yourself, because you never know when you’ll see a show like this in town again.