First let me apologize to my email subscribers who will no doubt get this in their inbox after 1st Thursday… for those people let me suggest that you check out these places AFTER 1st Thursday. Just because these shows open tonight, they’ll be up for a while. So, if you missed any of these places while you were out and about tonight, go back and check them out some other time.
Anyway, these places are all worth a visit and have exciting shows up. If you join me on tonight’s Art Crawl through 1st Thursday, we’ll stop by many of these.
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Wall space gallery
113 West Ortega St
Santa Barbara, California 93101
805.637.3898
Carl Corey
Wisconsin Tavern League
1-26 February 2012
Artist Reception and Book Signing
During First Thursday’s ArtWalk, 6 to 8pm
Wall space is thrilled to announce an exhibition of Carl Corey’s Wisconsin Tavern League, a celebration of the community and spaces where the people of rural Wisconsin gather.
Join us on Thursday night February 2nd, have a beer, meet Carl and see the people and places of the League.
About Carl -
Carl Corey, (b. 1954) currently residing in Wisconsin, received an Associates Degree in Graphic Design from Northern Illinois University and a Bachelors Degree in Fine Arts, College of Cinema & Photography from Southern Illinois University. A career-artist since 1979, Carl has instructed workshops for the Advertising Photographers of America, The Society of Artists and Photographers Representatives, Peninsula Art School, Northern Illinois University and Purdue University. He counts Harry Callahan, William Eggleston, Paul Caponigro, Eliot Porter and Irving Penn as influences on his photography. The recipient of over 100 awards from the advertising, design, and photography communities. Since 2000 Carl has directed his energy to more personal work focusing on social/aesthetic issues of the environment and the landscape.
His work has been exhibited widely in solo and group exhibitions in the US and abroad, including recent shows in Seattle, Madison, Kansas City, and Hong Kong. Corey’s award-winning photographs can be found in museum, corporate, and private collections.
For more information about Carl, any of these images, or the gallery please contact us.
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Observations
time & place
Photographs by Jesse Alexander and Patricia Houghton Clarke
2 – 25 February, 2012
Gallery 27
Brooks Institute of Photography
27 East Cota Street
Santa Barbara, CA 93101
Artist Reception
First Thursday – February 2, 2012
6 – 8 pm
The creative works of Santa Barbara artists Jesse Alexander and Patricia Houghton
Clarke are on the walls of Gallery 27 this February. This collaborative effort between two
photographic talents is a discussion of place, people and ideas.
Jesse Alexander and Patricia Houghton Clarke are creative documentarians, both
exposing the people and places of cultures we don’t often see, or pass by without
notice. These two artists allow us to see not only across the generations of ideas, but
how our visual language has changed, or conversely, remained the same over time.
Both photographers are deeply involved in their subject, finding nuance in shadows,
order in chaos. Both see in black and white and color. Both using light and shadow to tell
their story. While these are two photographers at different points in their careers, we see
their similarities in light and form, capturing the human spirit.
CONTACT:
Patricia Houghton Clarke
805.452.7739 – www.patriciahoughtonclarke.com
pcphotog@gmail.com
Gallery 27/Brooks Institute: 805.617.4503
Facebook: Brooks Institute Gallery 27
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Gina Werfel / POLYPHONICS
Developing from her earlier plein-air work, Werfel’s recent paintings consider natural forces through a delicate balance between figuration and abstraction. The oil on canvas and works on paper display deconstructed landforms with energized figures pulsing through them. Energetic paint strokes and merging color washes evoke the transitory instability of the landscape we inhabit. Elsewhere, diagonal marks lead the eye into fragile webs of color from which can be gleaned the artist’s local verdant landscape of northern California and recent stays in France and Italy. Werfel transports the viewer through urban sprawl, leafy foliage and towards the calm waters of the Mediterranean by means of wide, loose brushstrokes and atmospheric color. The paintings combine the sun-drenched lighting and colorful richness of the Venetian School with the bold, evocative mark making of the Abstract Expressionists to present renderings of fragmentary, chaotic spaces.
The title of the exhibition makes reference to the musicality that emerges from the paintings. In a fashion reminiscent of Kandinsky, Werfel’s patterns of juxtaposing colors and shapes link to musical arrangements. The paintings contain both lyricism and spontaneity; abstractions emerge from the canvas like jazz improvisations. Works such as Dancer present the human figure in motion, interacting with the surrounding landscape. The human and nature at times dissolve and intermix in dynamic sequences of paint. Werfel’s work continually brings the viewer back to the matter of boundaries: between figuration and abstraction, order and chaos, nature and human.
